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Digitized  by  the  Internet  Archive 
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https://archive.org/details/catalogueofcolleOOsome 


la 


"0_v  i 


OF 


oice  Modern 


aintings, 


FROM  THE  GALLERIES  OF 


M.  KNOEDLER  &  CO., 


(  ccessors  to  GOUPIL  &  CO.) 


SALE 


DNEJ5DAY*  yV]MD  ^HURgDyW  JJvRNINQg, 


APRIL  14th  and  15th,  1875. 


A  & 


NO. 


*3  i 


ACC. 


LIBRARY 

m.knoedler&co. 

556-8  Fifth  Ave. 
New  York 


CATALOGUE 


OP  A 


FROM  THE  GALLERIES  OF 

M.  KNOEDLER  &  CO., 

(Successors  to  GOUPIL  &  CO.,) 

sing  One  Hundred  and  Fifty  Examples  of  the  Best 
Contemporary  Schools; 

NOW  ON  EXHIBITION 

AT  TEE 

Jfwrfe  (fiaUcrv,  Jf a.  6  ffpiist  $&ivcntn=third  Struct, 

ON  MADISON  SQUARE, 

WHERE  THEY  WILL  BE  SOLD  AT  AUCTION, 

ON  THE  EVENINGS  OF 


JMnesdny  mul  fdursdmi  flprif  Hlfi  nml  15$,  1875. 


ROBERT  SOMERVILLE  Auctioneer. 

- - 


S.  W.  Greex,  Printer,  16  and  18  Jacob  St.,  New-York. 


•  *  ; 


r 


MODERN  SCHOOLS  OF  PAINTING. 


The  attainments  and  result  of  modern  art  are  shown  in  this 
collection  ;  some  of  whose  specimens  are  of  the  latest  importation, 
and  are  now  for  the  first  time  seen  by  the  public. 

The  advantage  of  a  continued  system  of  academic  instruction 
is  revealed  in  the  technical  ability  found  at  present  in  the  French 
school  of  painting.  This  nation  has  long  had  its  governmental 
art-schools,  the  professors  in  which  are  the  best  artists  of  the 
country,  and  has  been  in  the  habit  of  maintaining  a  select  number 
of  its  collegians  in  Rome,  for  the  benefits  of  study  among  the 
works  of  antiquity  and  the  renaissance.  It  is  not,  therefore,  sur¬ 
prising  that  the  recipients  of  these  advantages  are  unexcelled  in 
all  that  relates  to  composition,  refined  drawing,  and  harmonious 
color.  These  qualities  are  to  be  found  to  a  high  degree  in  the 
fine  paintings  included  in  this  collection — Merle’s  “  Ophelia” 
(No.  130)  and  Bouguereau’s  “  Fisher-Girl”  (No.  127.)  In  one  of 
these  is  seen  the  pathos  of  loftiest  poetry  ;  in  the  other  that  of 
tender  girlhood  wedded  to  inexorable  toil.  The  figure  of  the 
Danish  maiden  is  a  repetition  by  the  painter  of  that  in  his  cele¬ 
brated  group  of  “  Hamlet  and  Ophelia,”  now  ornamenting  one  of 
the  finest  picture-galleries  of  America  ;  the  beautiful  child  repre¬ 
sented  by  Bouguereau  is  an  example  of  humble  life  treated  with 
nobility  and  distinction,  where  not  only  is  vulgarity  left  out,  but 
the  highest  natural  grace  is  conferred.  Both  of  these  pictures 
are  instances  of  “  academic”  treatment,  their  perfection  of  design 
resulting  from  a  long  course  of  training  under  the  influence  of 
Greek  and  Italian  art.  The  French  school,  however,  includes 
many  painters  who  have  experienced  a  reaction  from  the  “  acade¬ 
mic”  influence,  and  who  obtain  fine  results  by  going  at  once  to 
nature  for  their  models,  and  copying  what  the)'  see  without  cor¬ 
rection,  in  a  spirit  of  realism.  Another  peculiarity  of  the  French 
temper  is  the  serious  study  given  to  matters  apparentty  trivial, 
and  the  discovery  of  the  laws  of  grace  in  objects  often  deemed 
insignificant.  The  intense  earnestness  and  sobriety  with  which 
a  French  artist  will  stud}'  the  trifles  of  society,  and  the  effects  of 


dress,  is  very  peculiar  ;  it  has  resulted  in  a  class  of  paintings  won¬ 
derful  for  dramatic  expression  and  pictorial  analysis.  The  French 
“  costume  pictures”  are  meritorious  because  they  reduce  dress 
and  fashion  to  the  government  of  the  eternal  laws  which  regulate 
design  and  color  in  Art.  Several  fine  examples  are  in  the  col¬ 
lection. 

The  modern  school  of  French  landscape  (largely  influenced, 
in  the  early  part  of  the  century,  by  the  example  of  Constable)  is 
distinguished  by  subtlety  of  color,  quality,  and  effect,  in  compo¬ 
sitions  remarkable  for  the  sternest  simplicity.  It  includes  many 
styles.  The  noble  picture  of  “The  Dawn,”  by  Corot,  (No.  in), 
shows  at  his  highest  perfection  a  painter  who  aimed  at  expressing 
the  secret  of  light,  the  vaporous  transparency  of  air,  and  the  fluc¬ 
tuating  movement  of  the  principle  of  life  in  vegetation.  “The 
birds  must  be  able  to  fly  through  my  branches,”  he  would  say'" 
when  he  was  alive  ;  and  the  works  in  which  he  attained  his  grand 
aims  live  after  him.  As  an  expression  of  another  kind  of  truth, 
the  Winter  scene,  by  Pelouse,  (No.  73),  in  which  the  exact  “  value” 
of  snow  against  the  sky  is  expressed  in  the  richest  impasto,  shows 
the  originality  and  variety  attained  in  the  single-hearted  pursuit 
of  Nature. 

A  certain  emancipation,  in  the  direction  of  gaiety  and  bold¬ 
ness  of  color,  has  recently  disturbed  the  academic  gravity  of  the 
French  school,  chiefly  at  the  hands  of  Spanish  and  Italian  artists 
who  have  studied  in  Paris.  This  movement  of  the  Roman- 
Sranisii  school,  as  it  is  sometimes  called,  has  gained  the  greatest 
favor  from  some  of  the  most  intelligent  connoisseurs.  Pinchart's 
picture  of  a  Girl  and  Parrot  (No.  1x9)  is  a  brilliant  example. 

The  German  schools  particularly  excel  in  delineating  charac¬ 
ter,  and  in  telling  an  ingenious  story  by  means  of  figures.  As  a 
single  example  out  of  a  collection  which  of  itself  is  the  best 
demonstration  of  this  eloquent  quality,  the  touching  composition 
by  Stegert,  “At  the  Monastery  Gate,”  (No.  35,)  may  be  taken. 
The  robust  grace  of  the  children,  and  the  melancholy  of  the  child¬ 
less  priest,  form  a  touching  argument  against  monastic  celibacy. 

The  American  artists,  at  present  an  eclectic  body  formed  un¬ 
der  the  influence  of  all  the  schools,  with  some  modifications 
prompted  by  their  own  originality,  are  naturally  the  only  prac¬ 
titioners  who  excel  in  rendering  the  national  character  and  man¬ 
ners,  and  the  magnificent  scenery,  of  their  native  land.  The 
names  of  Homer  and  Boughton  in  figure  pictures,  and  Richards 
and  Hart  in  landscape,  will  be  found  signed  upon  paintings 
worthy  of  their  genuine  reputation  and  of  their  country. 


FIRST  EVENING’S  SALE, 

Wednesday,  April  14. 


GUILLEMER,  ERNEST,  Paris. 

Landscape. 


HAAG,  JEAN, 


Paris. 


Lighting  the  Pipe. 


SAUVAGE,  P, 


Paris. 


The  Pet  Birds. 


VAN  ERVEN  DORENS,  Amsterdam. 


Going  to  the  Post-Office. 


5 


MICHETTI,  P„  Rome. 

Sheep  and  Lamb. 

«n  i.  *  -  ..  .. 

6 

MARCHAUX,  A.,  Paris. 

Tending  Flowers. 

7 

R.  AM  ADO,  Rome. 

Studio  Visitors 

8 

KUWASSEG  Fils,  C.,  Paris. 

Amsterdam. 

9 

CASTIGLIONE,  JOS.,  Paris. 


In  the  Louvre. 


10 


LAWRIE,  A.,  -  New- York. 

Mountain  Brook — Adiron- 

dacks. 

11 

PERBANDT,  C.  von,  New- York. 

The  Old  Mill. 

12 

FUECHSEL,  H.,  New- York. 

* 

Near  West  Point. 

13 

INNESS,  GEO.,  New-York. 

Summer  Evening. 

14 


KENSETT,  J.  F.  [Deceased],  New-York. 

Lake  Genesee. 


15 


IRVING,  J.  BEAUFAIN,  New- York. 

The  Prayer. 

16 

BROWN,  J,  G,,  New-York. 

The  Little  Fruit-seller. 

17 

HAMMER,  J.,  New-York. 

Children  at  the  Cistern. 

18 

PABST,  ALFRED,  Paris. 

& 

Alsatian  Interior. 

19 

/ MICHEL,  ERNEST,  Paris. 

y. 

Mother  and  Child. 


20 


TRAYER,  JEAN, 

Industry. 


Paris, 


21 


COMPTE-CALIX,  F.,  Paris. 

Taking  Leave. 


22 

/ 

,  EBEL,  F.,  Diisseldorf. 

A  Landscape, 

23 

^•^ARNZ,  ALBERT,  Diisseldorf. 

Bay  of  Naples. 


24 


HAANEN,  GEORGE  van, 


Diisseldorf. 


The  Night-Market,  Holland. 


25 


/O 


)  % 


if 


HERZOG,  H., 


Diisseldorf. 


Norwegian  Rapids. 


26 


SE1BEL,  C.,  Diisseldorf. 

Landscape,  with  Cattle. 


27 

R1SSE,  R.,  Diisseldorf. 

The  Y oung  Artist. 

28 

^  y*-,  HUBNER,  Prof.  CARL,  Diisseldorf. 

“  Obstinate." 


29 


MULLER,  F., 


Diisseldor 


The  Pet. 


30 


Diisseldorf. 


DAHLEN,  REINER, 

Fishing  in  the  Rhine. 


31 


/*(> 


OEHMICHEN,  H, 


Diisseldorf. 


Winter  Sports. 


32 


hjO400  TANNERT,  l., 


Diisseldorf, 


L 


“Please,  Ma.  some  Fruit! ' 


JS1,  / 
r- 


33  i 

0 ^^^RETHEL,  OTTO,  Diisseldorf. 

The  First  Butterflies. 


34 

-»  ANDERS,  ERNEST, 


Diisseldorf. 


The  First-Born. 


35 


SIEGERT,  A.,  Dusseldorf. 

C.u  At  the  Monastery  Gate. 

;  36 

4 

MAUVE,  A.,  The  Hague. 

The  Shepherd. 

37 

.MARIS,  JACQUES,  The  Hague. 

The  Reader. 


38 

-BECKER,  GEORGES,  Paris. 

Spanish  Woman. 


DEVY, 


E. 


39 


Paris. 


Japanese  Toy-Shop. 


40 


LEYEN DECKER,  Paul- [os.,  Paris. 

The  Twins. 


41 


..HOMER,  WINSLOW, 


New- York. 

The  Hammock. 


42 

GAMBA  de  PREYDOUR,  A.  Paris. 


Pompeian  Lady. 


3* 


43 

BECKER,  GEORGES,  Paris. 

The  Parrot. 


44 


BECKER,  GEO., 


Paris. 


The  Flowers. 


45 


DUVAL,  Mlle.  ALIX,  Paris. 

A  Visit  to  Grandma. 

46 

^  £  $  S  A  U  N I ER,  NOEL,  Pari  s. 

In  the  Country. 


47 


6  6  & 


GERARD,  THE9, 


Brussels. 


Domestic  Happiness. 


48 


VERNIER,  EMILE-LOUIS,  Paris. 

Mediterranean  Seaport. 


49 

ACCARD,  EUGENE,  Paris. 

/rJ 


Confidential  News. 


50 


2  ,/  ^PICOU,  HENRY,  Paris. 

Fortune-Telling’ — The  Game 
of  the  Goose. 


6/v- 


51 

ESCOSURA,  LEON  y, 

The  Rivals. 


Paris. 


52 


SAUNIER,  NOEL, 


Paris. 


Summer  Recreation. 


53 


-5^3 


DANA,  W.  P.  W„ 


N  ew- Y  ork. 


Brittany  Coast-view. 


54 


SANTORO,  F.,  Rome. 

Italian  Landscape. 


55 


ACHENBACH,  OSWALD, 

Caprera — the  Home 

baldi. 


Diisseldorf. 

of  Gari- 


56 

DAUBIGNY,  KARL, 

Landscape. 


Paris. 


57 

RICHET,  LEON,  Paris. 

A  French  Village. 

58 

GIRARD,  FIRM  IN,  Paris. 

3 

At  the  Well — Morning, 


59 

DE  COCK,  CESAR, 

Landscape. 


Paris. 


60 


BROCHOCKI,  W., 


Munich. 


Near  Munich. 


61 


ROUX,  C., 


Munich. 


Ploughing  in  Italy. 


62 


A 


ROUX,  C., 

A 


Munich. 


Ploughing  in  Germany. 


63 

ROETH,  PHILIP, 

Landscape. 


Munich. 


64 


/ 


ftffi  "#  B.OUTI BONNE,  E., 


Paris. 


7 


Enemies  till  Death ! 


N  ew-Y  ork. 


HART,  JAS.  M., 

Landscape. 

66 

HUBNER,  EDWARD,  Dresden. 

Courtyard  of  a  House  in 
Capri. 

67 

LINDER,  R,  Paris. 

The  Listener. 

68 

LINDER,  P.,  Paris. 

•  Eve. 

69 

STEVENS,  AGAPIT,  Brussels. 


The  Violets. 


Munich. 


-r?  ffO 

hv 


70 

ECHTLER,  ADOLPHE, 

Alone  at  Home. 


V 


71 

"  KARGER,  C.,  Munich. 

The  Lost  Law-Suit. 


72 


/ZUGEL,  H, 

- 

1C 

PELOUSE,  L.  G„ 

A  December  Day. 


Munich. 


The  Pedler. 

73 


Paris. 


74 


jtr° 


HALL,  GEO.  H., 


N  ew-Y  ork. 


The  Chestnut  Merchant,  (El 
Castanero.) 


75 


FABRI,  A.  E„  Rome. 

Japanese  Interior. 


SECOND  EVENING’S  SALE, 

Thursday,  April  15. 


76 

VAN  SEVERDONCK,  F.  Brussels. 

Stable  Interior. 

77 

VAN  SEVERDONCK.  F.  Brussels. 

Companion-piece  to  the 
above. 

78 

HAAG,  JEAN,  The  Hague. 

The  Industrious  Scholar. 

79 

HAAG,  JEAN,  The  Hague. 


Recreation. 


TAYLOR,  THOS.,  Paris. 

Feeding  Ducks. 

81 

TAYLOR,  THOS.,  Paris. 

Tending  Flowers. 

82 

RITCHIE,  A.,  London. 

Lord  Dundreary. 

83 

BARUCCI,  P.,  Rome. 

Bay  of  Naples. 

84 

BARUCCI,  P.,  Rome. 


Italian  Landscape. 


85 


JAPY,  LOUIS, 

Landscape. 


Paris. 


86 

LANGEROCK,  HENRI, 

Landscape. 


Paris. 


87 

LA  ROCHENOIRE,  Paris. 

Driving*  Home  the  Flock. 


88 

GAMBA  de  PREYDOUR,  A.,  Paris. 

Mother  and  Child. 


89 

DAUBIGNY,  KARL,  Paris. 

PS 

q  i 

i  "i 


"W  ashing-Day. 


90 


DgLPY,  CAMILLE,  Paris. 

Landscape. 


91 


LASSALLE,  LOUIS, 


Paris 


•f  0 


The  Little  Wood-gatherers. 


1 1 


92 


LASSALLE,  LOUIS, 


Paris. 


Companion  to  the  above. 


93 

,  '  WYDERVELDE,  C„ 

Trout. 


New- York. 


94 


SCHOLTEN,  P.  J., 


h  u 

V 


Brussels. 


Confidence. 


95 


BEYSCHLAG,  ROBERT,  Munich. 


Spring-Time. 


96 


MUNIER,  EMILE, 


Paris. 


\ 


0' 


Petrarch’s  Laura. 


97 


RUMPF,  PHILIP, 


Frankfurt. 


< 5  . 

(y 


Mother  and  Child. 


98 


MOUCH0T,  LOUIS, 


Paris. 


*> 


Canal  in  Venice. 


99 


0 


BEYLE,  PIERRE-MARIE,  Paris. 

l) 


Coquetry. 


100 


1/ 


DEFAUX,  A., 

y 


Paris. 


Landscape,  with  Sheep. 


101 


CATTANEO,  A., 


Rome. 


31 


0 


Lake  Nemi. 


102 


CATTANEO,  A., 


Rome. 


S 


Gompanion  to  the  above. 


103 


REINHERZ,  C, 


Munich. 


,,  / 

The  Approaching  Storm. 


104 


LUCAS,  J.  D., 


London. 


‘  ‘  Spooning’.” 


105 


LIER,  Prof.  A.  Munich. 

Harvest-time. 


106 

CAMPRIANI,  A.,  Paris. 

// 

Near  Neuilly. 


107 

HERZOG,  H.,  Dlisseldorf. 

Dutch.  Coast. 

108 

LOMMON,  W.,  Dlisseldorf. 

Landscape. 

109 

ISABEY,  EUGENE,  Paris. 


The  Duel. 


no 


MULLER,  CHAS.  LOUIS,  Paris. 

!  •  ■  S  /  | 

I  ?  “Buy  my  Apples. 


111 


COROT,  JEAN-BAPTISTE, )  D  . 
[Deceased.]  \  Pans' 


)  \  / 


The  Dawn. 


112 


The  Hague. 


ARTZ,  ADOLPHE, 

The  Betrothed — at  Scheve- 


nmgue. 


113 


STEVER,  A.,  Diisseldorf. 

News  from  the  Seat  of  War, 
,  "■  Time  of  Charles  I. 

%u-  "\ 

114 

SCHMIDT,  EDW.  ALLAN,  Diisseldorf. 

The  Alchemist. 

'T\  * 

•• 


115 


A 


BOUGHTON,  GEO.  H.,  London. 

yy 

Too  near  the  War-path. 


116 


SINKEL,  E., 


Diisseldorf. 


Madonna  and  Child. 


117 

DE  MESGRIGNY,  E, 


Paris. 


The  Ferry,  on  the  Seine. 


■H 

J 


118 


COMPTE-CALEX,  F., 


Paris. 


b 


At  the  Well. 


119 


PINCH  ART,  E., 


Paris. 


>■ 


The  Parrot. 


120 


BERANGER,  EMILE, 


r-1 


*> 


Paris. 

The  Billet-doux. 


121 

DETTI,  C.,  Rome. 

Waiting. 

122 


ESGUQUIZA,  R., 

/ 


Paris. 


o 


The  Note. 


123 

PREYER,  J.  W.,  Diisseldorf. 

Peaches,  Grapes,  etc. 

r  ■ 

124 

HEULLANT,  ARMAND,  Paris. 

The  Hiding-place. 

(r  / 


//>  *fr  W  4  “  /  2—  -C^-^% 

125 


J  U.'tiC 

VEYRASSAT,  JULES  JACOUE,  Park 


Harvest-time. 


? 


i? 


^7 

» 6^ 


126 


BAUGNIET,  CHAS., 


Paris. 


i/>t 

A 


Tired ! 


127 


BOUGUEREAU,  WM.  ADOLPPIE,  Pans. 

»/»/  a?- 

’  y  Fisher-girl  of  Etretat. 

ys 


128 

FOLINGSBY,  C.  F„  Munich. 

Edw.  VI.  meeting  Lady  Jane 
Grey  on  the  Terrace  of 
the  Tower. 


129 


CHAVET,  V., 


Paris. 


/ 


The  Dejeuner. 


•n. 


y 


MALI,  C., 


130 


The  Flock. 


Munich. 


131 

MERLE,  HUGHES, 

i  ctr^ 


Paris. 


Ophelia. 

“And  I,  of  ladies  most  deject  and  wretched.” — Hamlet-. 


132 


GUES,  ALFRED, 

p>.  ^ 

Guardsman 


Pans. 


> 


133 

CHEVILLARD,  V., 

s° 


Paris. 


The  Abbe. 


134 


MEYER  von  BREMEN,  J.  G.,  Berlin. 


k<r. 


Re 


^  ^ 


Surprise. 


135 


CLOWS,  Miss  C.  M., 


New- York. 


K 


— 


s 


Cattle-piece. 


138 


SANTORO,  R,  Rome. 

Italian  Coast. 


137 


MURRAY,  ELIZABETH,  New- York. 


The  Bolero. 


138 


CASANOVA,  A., 


f/tt  TV* 


J*  <  r  Z 


Rome. 


Asleep. 


A 


139 


PREYER,  EM  I  LIE, 


Dlisseldorf. 


Fruit. 


140 


THORS,  J., 


London. 


3 


Landscape. 


141 


LESLIE,  J., 


London. 


Ben  Mac-dhui. 


142 


NORDGREEN,  A., 


Dlisseldorf. 


3  Norwegian  Coast. 


143 


NORDGREEN,  A., 


Dlisseldorf. 


Landscape. 


144 


RONDEL,  F.,  New- York. 

Near  New-Rochelle. 

145 

MOREAU,  A.,  Paris. 

The  Connoisseur. 

146 

VERNON,  P.,  Paris. 

Landscape, 

147 

MARIS,  JACQUES,  The  Hague. 

Coast-view  Scene. 

148 

PELOUSE,  C.,  Paris. 


Landscape. 


149 


MESZOLI,  G.,  Munich. 

fX&  """"" 

Morning*  Landscape. 


150 

STEWART,  J.,  Paris. 

\ 

r}9 -  j,  Chinese  Image. 

,  ,  c'./ 

A-"’ 

151 


AM  A  DO,  R.,  Rome. 


The  Pope’s  Carriage. 


The  Goupil  Gallery. 


M.  KKOEDLER  &  CO., 


170  FIFTH  AVEHHSr 


Corner  of  22d.  Street. 


C  AT A  LOG  U  E 


or 


American  and  Foreign 


r 
!  ’ 


1. 

V.  Palm  a  holt,  .... 

Making  a  Bouquet. 

Horne. 

•)_ 

F.  Mesgrigey,  .... 

Springtime. 

Par  in. 

.> 

•'). 

W.  H.  Smith,  .... 

Still-Life. 

London. 

1. 

*  ' .  1  \  KT.  ..... 

Fontainebleau. 

Larin. 

5. 

'I’m.  Van  i . j - 1;  Bitk. 

The  Butterflies. 

J )v  sse  Id r  f . 

0. 

Blaise  Dksgoffe,  .... 

Paris. 

Objects  of  Art  formerly  belonging  to  Marie  Antoinette. 

7. 

H.  A.  Dikffknbach,  .... 
Tlie  First  Promenade  of  the  New-Born. 

Pari 8. 

s 

Little  Jeannette. 

Paris. 

iCOSURA,  .... 

The  Indiscreet  Parrot. 

Paris. 

10. 

A.  Toulmoucjie,  .... 

The  New  Novel. 

Paris. 

1  1. 

Alfred  Wahlbebg,  .... 
Autumn  Morning. 

Paris. 

12. 

Louis  Lassalle,  .... 

The  Luncheon. 

Paris. 

18. 

Louis  Lasselle,  .... 

The  Rabbits 

Paris. 

14. 

A.  De  Bouchekvillk, 

The  Unexpected  Visitor. 

Paris. 

15. 

J.  Oakaud,  ..... 

The  Loves. 

Paris. 

16. 

Adolph  Ebeklk,  .... 

The'  Interruption. 

Munich,. 

17. 

Alexander  Cabbanel, 

Mary  at  the  Tomb  of  Christ. 

Paris. 

\  v  -  Achenbach,  . 

The  Approach :ng  Storm. 

Dusscldorf. 

19. 

J.  G.  Vi  BERT, 

'The  Bouquet. 

■ 

20. 

P.  Mei,  ..... 

The  Badly-learned  Lesson. 

Pome. 

21. 

A.  Lesrel,  ..... 

Paris. 

Diderot  Reading  in  the  Park  at  Versailles. 

oo 

.T.  G.  Yibekt,  .... 

Paris. 

Church  and  State — “  Le  Secret  d’Etat. 

23. 

M.  Blum,  .  .  .  .  . 

The  Prestidigitator. 

Paris. 

24. 

M.  De  Garay,  .  .  .  . 

Fido’s  Mirror. 

Paris. 

Emile  Lamhixkt, 

.  1  >n  tlie  Shhih. 

.  Pan*. 

2ij. 

J1  L) KUCU  Ki:T,  .... 

(Ilium  Lake.  Bavaria. 

M  t<ntch . 

27. 

J.  Cakaud,  .... 

Paris. 

On  the  Terrace. 

28. 

Adopii  Schreyer, 

The  Attack  :  ICabyle  Warriors. 

Paris. 

29. 

Emile  Lambinet, 

Evening.  From  the  Salon  of  1 87 f 

V  Iirix 

30. 

Emile  Lambinet,  . 

Morning.  From  the  Salon  of  187o. 

31. 

Henry  Picou,  .  .  .  . 

Paris. 

Antony  and  Cleopatra  on  the  Biver  Cydnus. 

32. 

.T.  Spiridon,  .... 

The  Manuscript. 

.  Paris. 

33. 

T.  L.  Smith,  .... 

The  Eve  of  St.  Agnes. 

“St.  Agnes’  Eve!  Ah.  bitter  chill  it  was!” — Kent*. 

New  York. 

34. 

J.  Sink  el,  ..... 

Madonna  and  Child. 

Germany. 

35. 

J.  L.  H  A  MON,  .... 

Love’s  Whisper. 

Paris. 

36. 

Adolph  Schreyer, 

Paris. 

Wallachian  Provision-train  Caught  in  a  Snow 

Storm. 

37. 

L.  Boss  i,  . 

Feeding  the  Chickens. 

Home. 

38. 

Bichomme,  .... 

Love’s  Secret. 

.  Paris. 

mas  Achenbacu, 

On  the  Scheldt — Squall  Coming  Up 

40. 

j.  G.  Brown,  .... 

The  Last  Apple. 

New  York. 

41. 

II.  Werner,  .... 

Harvest  Time. 

Dusseidorf. 

-12. 

IL  Werner,  .... 

Feeding  the  Pets. 

Ihmeldorf. 

Par'?, 

Park. 


•  Charles  Baxtoxiki,  ... 

Springtime. 

44.  F ixix  ,Zn- m,  .  . 

Constantinople : :  Start  of  the  Caravan  for  Mecca. 

45.  K.  Madrazo,  ....  .  .  .  Paris . 

The  Eose  among  Thorns. 

.  40.  P.  L..  Leyendecker,  ...  .  .  Paris. 

Louis  XIV  visiting  the  Water  Works  at  Versailles. 


47.  William  Hart, 


48.  M.  F.  H.  Dr  Haas, 


Noonday. 


Marine. 


New  York  . 
New  York. 


49.  P.  Koessler. 


The  Appointment. 

50. 

P.  Koessler,  .  .  y 

* 

Ikv xeldorf. 

The  Surprise. 

51. 

>  v  French  Artillerist. 

• 

Paris. 

5*2. 

E.  Detaille,  . 

Sapeur. 

Paris. 

53. 

J.  Spiridon,  .  . 

* 

Park. 

Sketching  from  Nature. 

54. 

FELicrE  Schneider, 

The  Pond  Lilies. 

Park. 

Paris. 

G.  F.  Folingsby, 

Munich, 

award  I  meeting  I  .ady  Jane  Gray  on  the  Terrace  of  the  Tower. 

-i  )  Fete  Day.  From  the  Salon  of  1875. 

Park. 

Felix  J&em,  .. 

Park, 

The  “  Sweet  Waters,”  Constantinople. 

59.  J.  G.  ,Meyeuv  .  ...  vm  Bremen,  ’ 

•  The  Cherries, 

- r — . .  .  Mm*-  - 

Park. . 

The  Forager. 

,  . 


>  / . , 


The  Goupil  Gallery. 


M.  KNOEDLER  &  CO., 


170  FIFTH  AVENUE, 


Corner  of  22d  Street. 


C  ATA  LOGUE 


American  and  ¥oreign  Paintings. 

>  } 


MARCH,  1  876. 


1. 

V.  Palm  a  no  li,  .... 

Making  a  Bouquet. 

Home. 

o 

F.  Mesgrigny,  .... 

Springtime. 

Paris. 

3. 

W.  14.  Smith,  .... 

Still-Life. 

London. 

4. 

Gr.  T ASSET,  ..... 

Fontainebleau. 

Laris. 

5. 

Th.  Van  der  Beck, 

The  Butterflies. 

JJus.se/dorf. 

6. 

Blaise  Desgofee,  ....  Paris. 

Objects  of  Art  formerly  belonging  to  Marie  Antoinette. 

7. 

H.  A.  Dieffenbach,  .... 
The  First  Promenade  of  the  New-Born. 

Paris. 

8. 

Hcgues  Meklk,  .... 

Little  Jeannette. 

Paris. 

9. 

Leon  y  Escosura,  .... 

The  Indiscreet  Parrot. 

Paris. 

10. 

A.  Toulmouche,  .... 

The  New  Novel. 

Paris. 

11. 

Alfred  Wahlberg,  .... 
Autumn  Morning. 

Paris. 

12. 

Louis  Lassalle,  .... 

The  Luncheon. 

Paris. 

13. 

Louis  Lassiolle,  .... 

The  Rabbits 

Paris. 

14. 

A.  De  Bouchervillk, 

The  Unexpected  Visitor. 

1’aris. 

15. 

J.  Cakaud,  ..... 

The  Doves. 

Paris 

16. 

A  DOLE II  EbEKLK,  .... 

The  Interruption. 

Munich 

17. 

Alexander  Carbanel, 

Mary  at  the  Tomb  of  Christ. 

Paris. 

18. 

Andreas  Aciienbach, 

The  Approaching  Storm. 

Dusseldorf 

1!). 

J.  Gr.  VlBKRT,  .... 

The  Bouquet. 

l\tris 

20. 

P.  Mei,  ..... 

The  Badly-learned  Lesson. 

Pome 

21. 

A.  Leskel,  ..... 

Paris 

Diderot  Reading  in  the  Park  at  Versailles. 


*22. 

J.  G.  Vibkkt, 

Church  and  State— 

Le  Secret  d’Etat.” 

Paris. 

28. 

M.  Blum,  ..... 

The  Prestidigitator. 

Paris. 

24. 

M.  De  Gakay, 

Fido’s 

Mirror. 

Paris. 

25. 

Emile  Lambinet,  .... 

On  the  Seine. 

Paris. 

26. 

H.  Deuchekt,  .... 

Chiom  Lake,  Bavaria. 

Munich. 

27. 

J.  Oakaud, 

On  the 

Terrace. 

Paris. 

28. 

Adoi*ii  Schrkyer,  .  .  .  . 

The  Attack:  Kabyle  Warriors. 

Paris. 

29. 

Emile  Lambinet, 

Evening.  From 

the  Salon  of  1875. 

Paris. 

30. 

Emile  Lambinet, 

Morning.  From 

the  Salon  of  1875. 

Paris. 

31. 

Henry  Picou, 

•  .  • 

Paris. 

Antony  and  Cleopatra  on  the  Biver  Cydnus. 

32. 

J.  Spiridon,  .... 

The  Manuscript. 

Paris. 

33. 

T.  L.  Smith,  .... 

The  Eve  of  St.  Agnes. 

“St.  Agnes'  Eve!  Ah,  bitter  chill  it  was!” — Ke.aU. 

New  York. 

34. 

J.  Sink  el,  ..... 
Madonna  and  Child. 

'Germany. 

35. 

J.  L.  Ha mon, 

Love’s 

Whisper. 

Paris. 

36. 

Adolph  Schrkyer, 

•  • 

Paris. 

Wallachian  Provision-train  Caught  in  a  Snow  Storm. 

37. 

L.  Possi,  . 

Feeding  the  Chickens. 

Home. 

38. 

PlCHOMME, 

Love’s 

•  •  • 

Secret. 

Paris. 

89. 

Andreas  Achenbacu, 

On  the  Scheldt — 

Squall  Coining  Up. 

Dusseldorf. 

40. 

.T.  G.  Brown,  .... 

The  Last  Apple. 

New  York. 

41. 

11.  Werner, 

Harve 

it  Time. 

Dusseldorf. 

KK, 

Feeding 

the  Pets. 

Dusseldorf. 

18. 

Charles  Baugniet, 

Springtime. 

.  Paris . 

44. 

Felix  Ziem,  .....  Paris. 

Constantinople :  Start  of  the  Caravan  for  Mecca. 

45. 

R.  Madrazo,  .... 

The  Rose  among  Thorns. 

Paris. 

46. 

P.  L.  Leyendecker,  ....  Park. 

Louis  XIV  visiting  the  Water  Works  at  Versailles. 

47. 

William  Hart,  .  .  .  . 

Noonday. 

New  York. 

48. 

M.  F.  H.  Dk  Haas, 

Marine. 

New  York. 

49. 

P.  Roessler,  .... 

The  Appointment. 

Dusseldorf. 

50. 

P.  Roessler,  .... 

The  Surprise. 

Dusseldorf. 

51. 

E.  Detaille,  .... 

French  Artillerist. 

.  Paris. 

52. 

E.  Detaille,  .... 

Sapeur. 

.  Paris. 

| 

53. 

J.  Spiridon,  .... 

Sketching  from  Nature. 

.  iVr/.s* 

54. 

Felicie  Schneider, 

The  Pond  Lilies. 

Paris. ' 

55. 

Xavier  de  Cock, 

The  Song  in  the  Woods. 

.  Paris. 

56. 

G.  F.  Folingsby, 

Munich. 

Edward  VI  meeting  Lady  Jane  Gray  on  the  Terrace  of  the  Tower. 


57. 

Louis  Leloir,  .... 

The  Fete  Day.  From  the  Salon  of  1875. 

Paris. 

58. 

Felix  Ziem,  ,  .  ... 

The  “  Sweet  Waters,”  Constantinople. 

Paris. 

59. 

J.  G.  Meyer,  ....  von 

The  Cherries. 

Bremen. 

60. 

Attilio  Simonetti,  .... 

The  Cabinet. 

Rome. 

6  i. 

C.  Dklort,  .  .  .  . 

The  Forager. 

Paris. 

62. 

Alfred  Stevens,  and  David  de  Not  Kit, 

Interior,  with  Figure. 

Brussels. 

63. 

Gustave  Prion,  .  *  . 

Alsatian  Bridal  Procession. 

Paris. 

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